Script Analysis

4 Tips for Memorizing Lines for Young Performers

A question I get asked frequently is: "Should my child memorize lines for their audition?” Here’s a general rule of thumb: For the first audition, the performers should be very familiar with the material, only glancing down at the sides for reference. For the callback and for any taping audition, they MUST have lines memorized. This will ensure the performer is connecting with the reader and not the paper. This is important as it demonstrates to the casting director or director that your child is truly a professional and on top of his or her game in a very competitive industry.

Reading and acting are completely different. Someone may be a great reader but a so-so actor or vice versa. If reading is getting in the way of acting, then memorizing lines may be what your child needs to do in order to have a successful audition. One of the most challenging things for young performers —especially first and second graders - is having a natural read when auditioning. Since these young ones are still relatively new readers, they often get stuck on words and the reading becomes unnatural. If they memorize the lines this can take the task of reading away and they can concentrate on being truthful.

One of the caveats of having lines memorized is that the acting goes out the window if lines are not secured in the brain. The actor will be trying to remember the next line instead of being in the moment and listening to the reader.

There are also scenarios such as this: It is Wednesday afternoon, and your child just got an audition for a television pilot. There are four scenes on nine pages and you were told it must be memorized by Friday. Sound familiar? Don’t panic! Here are some tips to help you keep your sanity while helping your child memorize the lines.

1. Highlight the character’s lines. This will allow your child to quickly locate the appropriate line when glancing down at the paper if it is still needed in the audition.

2. Repeat the lines. Have your child read the lines with someone out loud over and over again. Remind them to memorize the lines only, not the cadence and inflection. They need to discover something new each time they read the lines and say them as if they are spoken for the first time, each time.

3. Break the lines down into smaller pieces. Don’t have your child tackle the entire script all at once. Break the script down into small sections and repeat, repeat, repeat until the lines are ingrained. 

4. Work on lines before going to sleep. Studies have shown that studying lines right before bed can have a big impact on recall. Be sure to have your child review them again in the morning to help lock them into memory. 

Remember that memorizing lines is only one tool for your child to use in an audition. Remind your child that connecting with the reader is more important than the words they say and if they don’t get the line exactly as written, it is perfectly okay. Making the scene their own with specific choices as well as being able to listen and take direction is what will help them get the attention they need and ultimately land the job.

5 Places To Find a Great Monologue

Last week I shared with you how to improve your child’s chances of making a great impression when choosing a monologue. Are you curious where to find some good material for that next big audition? Read on.

1. The bookstore. If you haven’t visited the Drama Book Shop in New York, you are really missing out. I just spent hours there last week and found all sorts of new and exciting material. Ask one of the staff members what they recommend. In fact, ask all the staff. They each read different plays and are more than happy to share their picks with you. When you have a few hours, bring your coffee cup, pull up a chair, and read, read, read. In addition to monologue books, you will find almost any play ever produced as well as librettos from musicals and even some screenplays. If you live out of town, check your local bookstore or library. They may have a limited supply of plays, but you might be surprised with what they do have.

2. An acting coach. I have seen all too many stock monologues that begin with, “I hate my sister. She always steals my clothes....” Want something a bit more interesting and playable? I have been coaching young actors for more than twenty years. I have a huge library with hundreds of plays and monologues that have worked for my students over the years. It is my job to read plays, see theater, and replenish my library regularly. Acting teachers have a pretty good idea of what is overdone, what to avoid, and what may be the perfect piece.

3. Attend classes and workshops. See it. Steal it! What I love about group acting classes is all of the unique and wonderful material students bring. When I hear a brilliant piece I am so excited to know where the actor found it. Trade secret! They may not tell, but you can ask nicely or search for it on the Internet. I taught a workshop at a local high school recently and was pleasantly surprised to hear a few pieces that were new to me. Guess what I did? I added them to my library.

4. See plays and films. Go to the theater. And I’m not just talking Broadway or Off-Broadway. What about the little local theatre in your town that is doing that play you never heard of? Or the high school that is producing a series of one acts? Watch movies on Netflix or Hulu. Check out reviews of quirky, independent films with interesting characters. You can also read film scripts online from these sites:

http://www.imsdb.com/

http://www.script-o-rama.com/

http://www.simplyscripts.com/

http://ww34.whyinsanity.com/

5. Write your own. A 13-year-old boy came to see me last month for some coaching. He came prepared with a monologue that had me laughing so hard I nearly fell off my chair. When I asked him where it was from, he said, “I wrote it. It’s a true story.” He happened to not only be a talented young actor but also a gifted writer. Everyone may not share his talent in writing, so make sure you get some feedback from your acting teacher first.

The next time you are in need of a new monologue, make sure it fits like a glove. Using the suggestions in my last article and the resources I have offered you here should give you a great place to begin.